Thus with a kiss I die

The theme of death is seen as a continuous process, not as a final act – as an action that continues to circulate in the stage space and shapes the inevitable context of love, conflict and loss. In physical theatre, death manifests itself through a change in kinetic patterns, through an interruption or transformation of the energy flow, which allows it to be perceived not as a static end, but as part of the cyclicality of stage movement.

In this performance, the actors function as a common organism, in which individual impulses and bodily decisions fit into a suprapersonal structure. Thus, the spectacle arises not as a collection of separate performances, but as a common process of breathing and movement.