Cucumis sensus

Cucumis sensus

Info sull'evento

In this world, it is not enough just to grow. To grow freely. It must be cultivated. Cultivated so that the result is not just a product. But a perfect product. A cultivated product. By us. By me. By humans. Because I am human. I cultivate. I was born with a task. To cultivate. Culture. To cultivate the culture of society.

Theater is the only art form that cannot be preserved through AI databases. Theater will not remain after us. A production as a futuristic ritual that seeks whose culture it is and for whom it is in a post-humanist world.

Where is the next intellectual performance that no one understands?

The production is based on the question of what it means to have a body today. The body as material, tool, object of cultivation, and place of resistance. The work is distinctly physical and movement-based, relying on precise stage choreography, rhythm, and the performer's physical endurance. The body is subjected to prolonged overload, mechanical repetition, and pressure to perform, gradually reaching the point of exhaustion and then the opposite extreme: complete relaxation, loss of control, and a return to physical presence.

– Cucumocentrism is a philosophical concept that places the cucumber at the center of the world. It was here before language, before guilt. It was here first. And it will be here last.

– Slavoj Žižek is a Slovenian philosopher and cultural critic who shows that ideology does not operate through conscious beliefs, but covertly: in habits, rituals, and everyday actions. Ideology is a way of life that we "play" without noticing it.

– After an accident, Carl Jung experienced a vision in which he floated in space above the Earth, feeling complete freedom and wanting nothing, but at the same time perceiving life on Earth as an isolated system of "boxes" and an empty backdrop.

– The theremin, invented by Russian Léon Theremin in 1920, generates sound influenced by electromagnetic fields and the movement of the human hand, creating smooth, ethereal tones reminiscent of the human voice.

– Oliver Kluck's principle of chaos shows how the chaos of life and the acceptance of roles from others threatens our own identity between the authentic self and the forms imposed on us by pop culture.

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