Always Coming Home Final ACT

What to expect: an immersive night of live music and DJs sets with iconic electronic musicians and artists

Student discount by emailing: aduffau1@gmail.com

This series is the development of a recent research on the affect of visual and sound in narrative.
Each ACT from this on-going investigation aims at introducing a live performance, a moving image and a live musical set, part work-in-progress, part from a newer body of work from the practitioners, these events are a site of experimentation.

A reference/inspiration is the work by Pauline Oliveros with the Deep Listening method aspiring to explore expanded consciousness – “Acoustic space is where time and space merge as they are articulated by sound.”

The aim of these projects is to build a network and community of artists that have not yet performed together and to introduce to an audience a set of practices – ranging from sound, soundscapes to visuals immersions as well as acting as a ‘wakening’ agents.

A---Z aims to impose a collaborative, inclusive and critical practice/praxis – this demands a responsibility to decolonise programmes, build on positivity towards/and inclusivity in terms of gender and race discourses, and demonstrate openness, intersectional, responsive and critical juxtaposition methods.

The title is an homage to the 1985 science fiction novel by Ursula K. Le Guin, where the reader follows the Kesh people, a cultural group who live in the distant future long after modern society has collapsed.

BIOGs:
Ifeoluwa
Ifeoluwa aka Yewande Adeniran, is a multidisciplinary artist, writer, filmmaker, mentor and academic with a focus on fusing together global drum-heavy sonics, abstract left-field electronics and sad guitars. Their gigs abroad have taken them everywhere from Estonia to Berlin to sold-out headline shows across the UK. They currently hold radio residencies on Refuge Worldwide and Rinse France. As a writer their bylines are in VICE, The Wire, Resident Advisor and they were the guest editor for the Windrush 75 series for Mixmag. As a performer, they were part of sold out shows at the Barbican, and have performed at the V&A, Somerset House and Whitechapel Gallery. As well as running INTERVENTION, free DJ workshops for marginalised individuals across the U.K. As a filmmaker, their experimental documentaries have been shown at the Turner Gallery, Darkroom Festival, UNTHINKABLE Festival and unda festival. With their practice centering on visual anthropological experimentations of the "everyday" and "mundane", with a love of the weird and wonderful quirks of both urban and rural Britain.

James Jordan Johnson
James Jordan Johnson is a London-based artist and DJ that uses field recordings, found sounds and text.

Hawazin O
Hawazin O is an American-born Saudi artist based in London, working across painting, installation, sound, and curatorial practice. She holds an MA in Painting from the Royal College of Art and a BA in Painting from Camberwell College of Arts, and is currently completing a second MA in Curating at Goldsmiths, University of London.
Alongside her visual practice, her engagement with sound developed through a monthly radio show on Radio Flouka in 2021, which marked the beginning of her DJ practice. She has since been featured on platforms including Radio Alhara, Movement Radio, and Balamii
Radio. Her performances include appearances with collectives and at events such as the Southbank Centre, Habibti Nation, and Sound of Noize.

utopian_realism
utopian_realism utopian_realism is a research-driven music project that originates from a fascination with the aesthetics and communities revolving around internet-native music
genres and explores concepts of nostalgia cycles, controlled escapism, commodified utopian narratives and collapsing myths of progress.

Shamica Ruddock
Working across film, installation and live performance, Shamica Ruddock is an artist and a composer whose experiments in sound are informed by a core investment in sound as a site for knowledge production. Interested in dynamics of displacement, transferral, capture and legibility, through practice Shamica attempts to evaluate how these as processes contribute to the way we articulate the everyday. Other research interests extend to acoustics and the built environment, narrative and allegory, bass resonance and the linguistic function of drum language. Shamica has previously held residencies with Brussels experimental sound lab QO2, and Amant Foundation New York. Solo shows include Deciphering a Broken Syntax at South London Gallery (UK) and Palimpsests & Epithets held at Skēnē, Malmö (SE). Solo live presentations include Cafe OTO (UK), Hägerstensåsens medborgarhus (SE) and ArtHouse Jersey (UK). Shamica is currently a Sound and Music In Motion composer. Shamica has an ongoing sound based research project with artist Hannan Jones. Performances include Silent Green Future Soundscapes Festival (DE), Madeira Dig (PT), and Oscillation Festival (BE). They